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The M81 is the second installment in TELEFUNKEN Elektroakustik's dynamic microphone range. Designed with the goal to develop a microphone that would not only complement the M80, TELEFUNKEN Elektroakustik's first dynamic offering, but to also stand out in a universe filled with dynamic microphone options.
The TELEFUNKEN Elektroakustik M80 Dynamic microphone has rapidly become a new standard for live performance and stage use. The M80 Wireless Head is now available in two models (each in either CHROME or BLACK finish). The M80-WH is based on the SHURE brand wireless products.
The AK-47 MkII is a remarkably hi-fidelity microphone that is reminiscent of a cross between the historic M49 and U47/48 microphones. The result is a microphone with superior high frequency detail and a rich, full low end response.
Telefunken Elektroakustik: M80 Dynamic microphone BLACK
TELEFUNKEN Elektroakustik has created the M80-SH for use on snare drum and vocal applications where a lower profile microphone with right angle XLR cable is needed. The wide frequency response and higher SPL capabilities offer the user a superior alternative to the midrange-laden character of the "industry standard dynamic microphone".
The CU-29 'Copperhead' offers a warm, well-rounded low end accented by a delicate and intimate 'air' in the high end. The clarity and detail are unsurpassed by any other microphones near its surprisingly low price range.
Every great singer deserves an amazing microphone, and for more than 60 years the U47 has been that microphone. Its authoritative mid-range and extended low-end response have made the TELEFUNKEN U47 the "go to" standard for any serious recording studio.
The M82 is an end-address microphone and features two separate EQ switches, KICK EQ and HIGH BOOST, which yield four unique settings, giving the user the ability to tailor the microphone's response to the source with ease . . .
The small diaphragm ELA M 260 has become a staple for use in a multitude of recording applications due to its natural presence and high level of detail and clarity, especially in acoustic and classical applications.
The AR-51 provides a smooth mid-range, open top end, and solid, well-balanced low frequency.
If there were ever a microphone that was the epitome of classic, hi-fidelity sound, it would be the C12. Its silky smooth top end provides plenty of air without sounding harsh or artificial. Its midrange speaks clearly and articulately, capturing the source with a natural presence. Its low end is tight and focused, perfectly balanced with the rest of the...
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